In This Issue 1997
Fionnoula Flanagan: Up Close and Personal
Actress Fionnula Flanagan is a beautiful woman who is not afraid to ditch the glamour if the role demands it Audiences who remember her as the green-eyed, sultry redhead in the TV series Rich Man Poor Man for which she won an Emmy, and How the West Was Won, might have a hard time recognizing her in Some Mother's Son. Flanagan's opening shot shows her wearing no makeup, her hair … [Read more...] about Fionnoula Flanagan: Up Close and Personal
Of Women and War
Terry George's latest movie, Some Mother's Son, is a universal story which will haunt long after the final credits run, writes Laoise MacReamoinn.There's a savage irony in the opening sequence of Some Mother's Son. In newsreel footage from 1979, Margaret Thatcher, British prime minister-elect, greets the press, and with a sweet, thin smile claims to see herself as continuing … [Read more...] about Of Women and War
Tales from the Deep
By Laoise MacReamoinn
January/February 1997
Colum McCann, one of the hottest new Irish writers on the literary scene, talks about his career with Laoise MacReamoinn.Colum McCann, the New York-based Dublin-born writer who burst on to the American literary scene last year with his first novel, Songdogs, which the New York Times called "powerful, strong and sure," and whose first collection of short stories, Fishing the … [Read more...] about Tales from the Deep
The Steward of Irish Theater
By Diana Barth
January/February 1997
Although the brilliance of actor Donal McCann is well-known abroad – even a Dublin cabdriver praised him as a "great actor" to this writer on the trip from the airport to the city center -- McCann's name seems a well-kept secret in the U.S. That oversight should be corrected when Donal McCann opens, in the starting role, in Sebastian Barry's luminous, moving, poetic memory play … [Read more...] about The Steward of Irish Theater